The longer fantasy short stories might keep you going for well over half an hour. The quicker fantasy short stories on the Azrian Portal will take around five minutes, The average person will be able to read about 200-250 words per minute. Some people can consume fantasy short stories quickly, others take more time. The time it will take you to read these fantasy short stories really depends on your own personal ability to take in the written word. The fantasy short stories on The Azrian Portal range in length from quick a thousand word read to longer eight-thousand plus slow-burns. How Long Will It Take to Read These Fantasy Short Stories? These fantasy short stories, hopefully, will offer more than escapism and adventure within a new world. They are devoted to refined and small-scale narratives. The fantasy short stories on The Azrian Portal are not big, bombastic epics. ![]() It’s worth noting, however, that these fantasy short stories often focus on the human stories with subtle elements of magic and myths woven in. They follow the traditional style of high fantasy/epic fantasy, with themes of medieval fantasy and classic sword-and-sorcery type fantasy short stories. The fantasy short stories featured below are all set in Azra. And, just as they are, it’s as much a world of magic, myths and legends as it a place of diverse characters, communities, cultures and politics. ![]() A place explored through a collection of fantasy short stories.Īzra is a unique fantasy world in much the same way as Middle-Earth, Narnia or Westeros. Welcome to the Azrian Portal your portal to the world of Azra. Look out for them in your work, and you are well on your way to compelling, cohesive craft.What Kind of Fantasy Short Stories Can You Read Here? These five elements are ones I have seen writers struggle with over and over again among the submissions to my short story site. Why? Because this condensed form forces you to get merciless with your storytelling, and forces weaknesses to expose themselves. Mastering the art of the short story can help you hone the critical skills for writing of any kind. A compelling story will do the heavy lifting for you. I see this most often among less experienced writers who don’t yet trust their stories to do the heavy lifting-but relax. It may feel lofty to get all Inception on your story’s conclusion, but specificity trumps a confused reader every time. Have a clear conclusionįor some reason, a lot of writers seem to have a lot of love for the ambiguous story ending. Short stories just do not have space for meandering. If a piece doesn’t serve this purpose, cut it. Every paragraph, every sentence, every word should take the reader closer to the climax. In short stories-emphasis on short-your plot needs to build efficiently. When it comes to Artsiness, I have a personal rule: If I find myself deeply in love with my words, that’s a good sign I need to come back to that section and make some cuts later. Don’t give me Artsy-Artsy does not beget art. You can stuff your flowery prose and philosophical dialogue and ambivalent phrasing where the sun don’t shine. Tell us what we need, right when we need it. There’s no need to give your reader buckets of backstory. This issue is most stereotypically associated with fantasy, but I’ve seen it across the board. Pull your reader to the heart of the story’s conflict right away. In just one paragraph of lyrical prose, we are utterly transported into the life. ![]() In a short story (especially flash fiction) don’t waste time setting up your scene or sharing your hero’s musings. 'Girl' by Jamaica Kincaid might be one of the best-known short short stories out there, and for good reason. Here are five important elements many writers in my short story submissions overlook: 1. I’ve noticed that regardless of genre, from romance to horror to sci-fi, the main reasons for why I have to turn stories down are often then same-there’s a few recurring elements writers across the board seem to struggle with that hold them back from a successful short story. Photo by identity chris is (creative commons).
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